![]() |
|
||
|
Home |
Contents
Index New Archive |
||
|
1985 Seminar on Racing the Tasar Notes by Richard Spencer On
June 22 and 23, 1985, Charlie McKee and Becky Brown, reigning Tasar World
Champions, gave a seminar on sailing and racing the Tasar at the Jericho
Sailing Centre in Vancouver, BC. I
made the notes that follow and they appeared in the North American Tasar
Newsletter #19 in October, 1985. I’m not sure how many things Charlie and
Becky would change if they gave a similar seminar today, but in 1985 this was
the way the world champions sailed. Charlie
began his first talk by saying that people find many different ways to set up
the Tasar to go fast. He said
that he and Becky were very fast off the wind, but maybe not the fastest
upwind. The moral - there may be
other ways to set up the boat to go fast.
Setting
the boat up for beating: Jib Fairleads: Light air: fairly well in, with 2 holes showing at inner end of track. (The "groove" gets narrower with the fair leads right in).
18-20 knots - 4 holes showing. Attachment
of sheets to jib clewboard: When
the sheets are low on clewboard, the foot will be flat and the top of the jib
will twist off. Up
to about 15 knots Charlie has the sheets one hole down from the top hole.
This gives a tight leech and a full foot.
Sheet tension is very important - it is easy to stall the leech.
The sheet should go out a bit to get up to speed, then come in as you
speed up. (We are talking
movements of say 1/2 inch here). The tighter the leech the higher you point,
but the easier it is to stall the leech.
Look at how the leech hooks into the main, but don't worry about some
signs of backwinding low on the main, as long as the boom is on the centre
line. There
should be only two tell tales, one between window and next seam up, and one in
the panel above the window, in each case about 8 inches back from the luff.
Move the sheet down one or two holes on the clew board as wind gets up above
about 18 knots. Jib
Luff tension: Wrinkles in the
luff are fast! Leave wrinkles in
the luff up to about 12-15 knots. By
18-20 knots the luff should be down hard. Main
trim: Because the main is fully
battened it is hard to see what is happening by watching the cloth in the
sail. You need leech ribbons - there should be one at about the height of the
numbers and one at the second batten from the top.
The lower tell tale is a bit too close to the mast, but it can be used
when reaching. In
light air: the boom should be
within an inch or two of the centreline when going upwind. (Have the crew lean
in and look back to check occasionally).
Generally keep the traveller cleated and play the main sheet. The harder you sheet, the faster you go, until the top leech
ribbons stall. They should
"pop in and out", on the point of stalling.
Ease sheet tension to get speed up, sheet in to tension leech and point
high - 2" of main sheet adjustment can make a big difference.
The sheet should be eased in choppy water. The
top two battens should be tied in fairly tight, the rest tied just tight
enough to remove the wrinkles along the batten pocket. Outhaul:
In light air it should be say between 1 and 3 dots to give a fairly
full main (say foot about 6" off main).
(It should be a bit tighter in a real drifter).
It should not be in tight until you are overpowered, at say 18 - 20
knots. Vang:
should be right off in light air. If
you can hold the boat flat by hiking hard there is no need for the vang.
When a puff comes which will begin to overpower you, vang in and don't
change anything else. (Let the
boom go out a bit as the vang pulls it down and eases the main sheet).
The vang will bend the mast and flatten the sail by increasing the
distance from the luff to leech to the luff.
In heavy air you have to vang very hard. Cunningham: In
light air leave wrinkles so that there are a few wrinkles coming off the
battens.
At 12-15 knots - just pull the wrinkles out Note:
with the vang on the draft moves aft. The
cunningham should be on hard to move the draft forward to compensate.
In addition, the vang will tighten the leech.
More cunningham will tend to loosen the leech, and make the boat easier
to sail in heavy air. Centreboard:
Charlie believes that the centreboard should always be up a bit, say 8 to
10".
Light air - up 10" The
board should be straight up and down, and as far forward in the slot as
possible when beating. Diamonds:
These control the sideways bend of the mast.
(When the mast is rotated going upwind this "sideways" bend
has a fore and aft component, and so helps to flatten the main.) Loose
diamonds allow a greater range of sail shape.
If you can squeeze them to the mast at the whisker pole ring they are
"loose", maybe about right for a light crew. Shroud
tension: Recommended setting for
light and medium air: put one right forward and one right back.
Pull the forward one back. It should begin to go tight when about half
way back. Sail with both shrouds
right back going upwind. In
strong winds move the pin down one hole on each shroud adjuster on each side
(i.e.: diagonally down and across the adjuster). The basic setting will allow some forestay sag, which will
allow the jib to get fuller in a puff. This
is good in light and medium air, but you don't want this in heavy air.
Sailing
Technique: KEEP THE BOAT FLAT AT ALL TIMES.
Take a look at the fine entry on the Tasar bow and you will see why the
resistance goes up if the boat is heeled, especially in waves.
Look at the transom to check whether you have the boat flat.
Beating:
In
light air the skipper should be forward of the traveller cleat, and the
skipper and crew should be in line across the boat, and as close together as
possible. Skipper
and crew must be smooth in all their movements in light air. In
heavy air the skipper should be behind the traveller cleat, with the crew
leaning back toward him. In
really heavy air the crew might have one foot behind the thwart. In
flat water the "knuckle" should be just out of the water, but in
waves more of the bow should be out. Planing
to weather probably works best if you are fairly heavy.
Both skipper and crew should hike as hard as possible to keep the boat
flat as the wind increases. Use
of traveller and main sheet: In
light air, use the main sheet to
control the leech tension (try and keep the leech ribbons "popping in and
out") and the traveller to keep the boom near the centre line, easing it
out in the puffs. In
heavy air, the vang will be used to flatten the sail, and it will control
leech tension. Use either the
mainsheet or the traveller to control boom position and keep the boat flat
while hiking hard (you can let the boom out further on the sheet). Just
before a heavy puff arrives - vang on hard and sheets out. As the puff arrives
feather up, then bear off. Try
and sail on the tell tales. Sheet
in gradually and try and head up again. Then
vang off and back to previous trim. Planing
upwind - The jib fair leads should be out and the main sail full.
The aim is to point low and go fast.
The boat must be flat. Then:
hike hard; vang on; ease jib 1/2 to 1"; ease the main sheet, and go!
Roll
Tacking: In light and medium air
this is definitely fast, and in light air you can tack without losing
anything. (In heavy air you are going to lose up to 5 boat lengths when you
tack). The
sequence is as follows: The
skipper starts the tack by cleating the mainsheet and leaning in to leeward to
roll the boat a little bit that way to start the turn. Turn
gradually at first, then tighten up. The
tiller should never be turned through more than 45 degrees - beyond this the
rudder becomes a brake. (Try
drawing two lines on the deck to show the 45 degrees.) At
head to wind the skipper, still on the original windward side, leans out and
rolls the boat over to that side (until it feels as though it is going to fall
on top of you!). The
tiller is now straight ahead, and will stay that way. The extension can be flipped across and laid on the deck on
the new windward side. At
head to wind the crew lets the jib go, rotates the mast, and should be across
helping the skipper roll the boat to the old windward side. As
the boat goes through head to wind - and no sooner - the skipper releases the
traveller. The
skipper now steps quickly across the boat, grabs the traveller line on the new
windward side right at the traveller car with the same hand that controlled
the traveller before the tack began, and takes the traveller across the boat
with him. As
the skipper goes across the boat he lets the tiller go (the extension is lying
on the deck on the new windward side), turns facing forward and changes hands
on the traveller. He then sits on
the deck, picks up the tiller extension and hikes on the new windward side.
There is a short period while the tiller is not held, but if the tack
is done properly it won't move. The
main traveller must be up on the new side as the roll up to the new windward
side begins. The boom should be
at the centre line by the time the skipper sits on the deck. (In really heavy air the traveller may not come up so soon). Meanwhile
the crew has sheeted the jib on the new side, but not right in until the boat
is up to full speed on the new tack. In 6 to 8 knots the crew will probably
hit the side deck on the new windward side when the skipper does.
In light wind the crew may end up in the centre or to leeward.
The positions of skipper and crew on the new tack will be approximately
the same as they were on the previous one, except that their locations will be
reversed from side to side, of course. Rounding
the weather mark: Get
moving on the reach first, adjust things later! This is particularly important in strong winds - get planing
as soon as possible, then adjust the fairleads, over-rotate the mast and get
the board up (to just above the deck on a close reach). Reaching: The
first priority is weight placement - keep the boat upright, and get the fore
and aft trim right. Second
priority is sail trim - the main sheet should be in and out constantly. The
crew should be looking upwind for puffs.
The crew should move back and hike out when the puffs come, and go in
and forward when it goes light (the skipper stays fairly still in light and
medium air). The crew should play
the jib all the time. The key is
to anticipate the changes that are coming. In
very light air the crew should sheet the jib by hand. It is often necessary to hold the sheet down and forward from
the fairlead position. In these
conditions the windward chine should be just out of the water, but as soon as
the boat is moving the boat should be flat. Both
the outhaul and the cunningham should be off a bit, and the jib fair leads
should be right out (unless the jib has a very flat foot). The mast should be over-rotated (with the lever pushed past
the plastic fitting on the boom) on all reaching and running legs.
Move
the leeward shroud forward once the boom is out far enough to allow the
battens to hit the shroud. The
windward shroud could also go forward in light air and flat water - in general
don't move it forward if this results in the rig shaking. When planing in
heavy air, keep the windward shroud right back. When
close reaching use the bottom tell tales and the leech ribbons, and keep the
leech a bit tighter. Charlie sets
the traveller in the middle and plays the main sheet directly from the boom
when reaching, to get a more direct feel.
In
light air use just enough vang to stop the boom bouncing. Put it on a bit in medium air and when planing put it on
until the leech "looks right" (starts to get tight).
Note that in heavy air a bit of vang powers up the main and easing the
vang depowers it. This is the
opposite of going upwind. (Of
course too much vang when reaching will bend the mast and depower the sail by
flattening it, just as it does when beating.) When
broad reaching trim the main using the bottom tell tales (i.e.: the ones about
1/3 of the way back from the mast).
To get the boat planing on a reach, start with weight forward (i.e.: in
normal position) and then move back together.
Use a couple of quick pumps to get the boat planing, and try and move
the weight forward again, stopping just before the bow goes back in to the
water and starts to "take over". (This may be with about the forward
3' of boat out of water.) You
should end up sitting just aft of the traveller cleats, with the crew having
one foot behind the thwart, and sitting close to skipper. You may have to go further back as the wind strength
increases. The centreboard should
be angled well aft as the bow comes out of the water (not easy to do if you
have a restrictor in the slot). Note:
Three pumps are allowed to promote planing or surfing. Keep the motion smooth,
bringing the sail in about twice as fast as you let it out. (this was true in
1985! - not so now) Rounding
the Gybe Mark: The
secret to gybing in heavy air is to keep moving fast. This makes the boat more stable and reduces the apparent wind
when you are heading dead downwind. The crew should come in and forward to
clear the traveller, and should stay near the centre of the boat.
The board must be down far enough to clear the vang as the boom goes
over. The skipper should carve a
reasonably tight turn, and should grab the traveller and throw it over when
heading dead down wind. Then skipper and crew come up, hike, and keep the boat
moving on the new reach. Running: Charlie
doesn't try and reach up for speed except in very light air, and generally
sails about 20 degrees off dead down wind.
In heavy air and waves you can go almost dead down wind when on a wave,
then come up a bit when off the wave, or in a lull. To climb onto a wave in heavy air, heel to
leeward a little and sheet in until the boom is off the shroud and there is
flow over the main. Then
heel to windward and pump to get going fast, then
steer downwind on the wave with the boom right out and no flow over the
main. The leeward shroud must be forward. It is fast to have both shrouds forward, but the weather
shroud should be back if the rig is bouncing. There
is no need to pull the board right up - 10" above the deck should be
enough. This helps to keep the
boat stable, and makes it easier to turn. Gybing
the Pole: It is probably faster
to gybe the pole first, but for tactical reasons it may be better to gybe the
boom first if there are lots of boats around, as this puts you on the new tack
sooner. The faster you are going
the easier it is to gybe! Rounding
the Leeward Mark: All
adjustments must be made in good time - don't leave them too late.
First the crew gets the leeward shroud right back and moves the
fairlead in to the beating position. The
skipper gets the windward shroud back if it is forward.
Then the crew should reset the outhaul and cunningham and put the board
down and forward. If the pole is
up it comes down last. The
skipper should have the traveller in the beating position, ready to sheet in
the main as the mark is rounded. Heavy
Air Technique: (Notes made while
it was gusting to 30 knots on English Bay). Beating: Hike
hard. Skipper and crew should be
hiking hard upwind all the time. In
puffy conditions, in a header or a lull, don't come into the boat - sheet in
and bear away. Even if you drag
in the water, stay hiked out no matter what. You won't dump to windward!
Come up a bit as a puff hits, then bear off to get the tell tales
flowing. Vang:
Most important depowering mechanism.
Should start to be used as soon as you can't hold the boat flat by
hiking, and should be on very hard in strong wind. Centreboard:
Sail with it well up - say 2' out.
The boat will then "slide" a bit in the puffs, which makes it
a bit more forgiving. Sheets:
Main and jib should go out enough to keep the boat flat.
You may have to let the main out until it back winds, but it is more
important to keep the boat flat. The
jib sheet should be down a bit on the clew board. Light people might use the
bottom hole, heavier people one hole up.
The fair leads should be about in the middle of the track going up
wind. As you move them further
out the "groove" gets wider and the boat gets easier to sail, as you
move them in the "groove" narrows, you point higher, but the boat
gets harder to sail. Hiking
position: Keep legs as straight
as possible to keep your butt out of the water.
Keep your upper body flat and parallel to the water - don't arch your
back, it is very bad for it! The
crew should use the handle on the shroud, and keep the vang and the jib sheet
in her lap, ready for use. Looking
for puffs: Darker water shows
puffs, lighter water shows lulls. If
the whitecaps are getting closer together a puff is on the way, if they are
moving further apart, a lull is coming. Don't
try and tack to lee bow a starboard tacker in heavy air. It is far better to
duck him as you will lose up to 5 boat lengths tacking in 20+ knots. At
the Weather Mark: Keep
the boat flat during the rounding. Let
the vang off a bit approaching the mark, as the boat won't bear off when the
leech is too tight. Move
the weight back - the skipper might be 2' behind the thwart, with the crew
angled back toward him. Let
the mainsheet out as you bear off and round the weather mark.
The jib goes off as the main does, and the front of the main luffs.
It is good if the boat heels to weather, as the windward chine digs in
and this helps the boat to turn, so let out more main sheet than you really
need to. As you round the mark,
get up to speed by trimming in the main and jib.
The crew can now come in a bit, but should stay angled back. Reaching:
Once
you are up to speed, the crew can go forward to get the board up and over
rotate the mast - don't worry about any other adjustments! Remember
that some vang now powers up the main, and letting it off depowers it.
Trim the main using the tell tale low down and forward. At
the gybe mark: Remember
that the faster you go the easier it is to gybe. So: keep speed up, board down to clear vang, grab the main
sheet and throw the boom over when dead down wind. Running:
Putting
up the pole: The boat is much
more stable with pole up on a run, so get it up.
The crew has to go forward, so the skipper must move back to
compensate. It is a good idea to
have a ball of tape wrapped around the tiller extension half way down it so
you can hold it easily when you move back. Remember that the boat gets more
stable and everything gets easier as the boat goes faster. At
the leeward mark: Get everything set up for the beat early. If you are running go low approaching mark so you can reach in with the jib working after the pole comes down. Try to steer wide coming in to the mark and round tight. If there are boats ahead you must be very close to the mark and close hauled to avoid their bad air. Pinch if necessary to get clear air. It is better to be 10' behind the boat ahead than 6", because this gives you a chance to get out of the bad air and work up above boat ahead. (In light air you would have to be further back to avoid the bad air, but you might be able to stay close and hang in, and you won't lose too much if you have to tack away.) First printed 85-10; posted 00-04-24 | |||
|
Home
Contents
Index
New
Archive |
|||